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Thursday, September 03, 2009

"Your anger is just, but if you allow it to rule you, it will make you weak. If you unleash your anger without purpose, it will strike anyone in its path. You will hurt those who love you."


Tuesday, August 18, 2009

The tears that came caught her by surprise. She thought at first that she might be crying for Michi, even if selfishly it was only for her loss, or perhaps even for Sam, or her parents, but none of this was true. She was crying for herself. The tears ran down her cheeks, and she felt so alone and desperate that they kept coming, and she hugged herself tight, trying to stop but could not.

She wept so hard she made herself retch. She crouched over to throw up, the shower water quickly washing away the thick, clear bile. There was hardly anything in her stomach even before she had vomited. She remembered that all she had eaten yesterday was a few pomegranate seeds, and she felt hungry all of a sudden.

The tears had stopped, without her even realizing it. She didn't want them to come again, so she clenched her fists and banged them against her legs. Keep going, she told herself, get yourself clean and then you can figure out what needs to be done.

At its simplest, she thought, life wasn't so different from prison. Make it through one day at a time, that's all you had to do. And if you were still alive and kicking the next day, so much the better.


Saturday, February 14, 2009

Today is either a celebration of love or an irritating reminder of loneliness. Either way, we got you covered.


Sunday, February 01, 2009

A man who loathes himself cannot be trusted


Thursday, December 18, 2008

I started a study on Scorsese recently for personal enrichment.  One of the important things I've enjoyed is watching Scorsese's documentaries about films that have influenced and moved him through the years.  Currently I have just started watching films he recommends from the Cinecitta, the new Italian cinematic movement that started after World War II.

It never fails to astound me how different the American and European responses are in the aftermath of WWII.  Since the Americans did not fight the war on their own soil, they really came out of it with this insane sense of optimism and victory -- as evidenced, for example, by Copeland's Fanfare for the Common Man -- whereas pretty much the rest of the world stared in stunned disbelief at the destruction of thousands of years of monuments, aching confusion and despair over the harsh brutality they lived to witness and survived.  The Cinecitta is preoccupied with humanity through disillusionment and loss of innocence.  The film I saw most recently is Rosselini's Germania Anno Zero, where a young boy poisons his ailing father to relieve his suffering and then throws himself off the roof of a building because he is unable to find a way to go on in aftermath now that he is deprived of his identity and his conscience.  I have not watched Taxi Driver in some time and I have never seen Gangs of New York, but somehow I think that I will see shadows of this in Scorsese.  The sense that in the midst of great pain, violence and suffering the only uplifting thing we have is each other, and thus to show humanity in the face of such is the most beautiful and spiritual message we can give the world.

It makes me sad that something which so clearly points towards Christ in my story continually falls just short of that for this director.  Just one flat-headed nail and one briar-thorn away from genuine hope



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